The Vogel Award

It's the time of year that publisher Allen & Unwin run the The Australian/Vogel's Literary Award, which is an exciting time of the year if you happen to be an unpublished author living in Australia under the age of thirty-five. As I happen to fit into that narrow corridor of eligibility, colour me excited!

Honestly, it's a good award run as a joint venture between two publishing giants, has a minimal entry fee, and results in a prize payout of $20,000 and a publishing contract with Allen and Unwin. I'll post the submission guidelines below.

The deadline is the 31st of May this year, so if you've got a manuscript you're ready to submit you might want to consider entering. This has been a public service announcement by me.


Submission Guidelines


•    Entrants must be aged under 35 years of age on 31 May 2013 (that is born after 31 May 1978).
•    Entries must be lodged by 31 May 2013.
•    Entrants must normally be residents of Australia.
•    The manuscript submitted with the entry form should be a work of fiction, Australian history or biography.
•    It must be a minimum length of 30,000 words and a maximum of 100,000 words.
•    The manuscript must be an original work, entirely by the entrant and it must be written in English.
•    It cannot be under consideration to any other publisher or entered into any other award.
•    No more than 10% of the manuscript can have been previously published in print form, or in electronic form, on a commercial basis.
•    Allen & Unwin will publish the winning entry, and will have exclusive worldwide publishing rights to it, and to any other entry they feel is of sufficient merit.
•    Entry fee of $25 is applicable to each manuscript entered.
•    The judges’ decision is final and no correspondence will be entered into.
•    The judges shall have the discretion to divide the prize equally between authors of entries they consider to be of equal merit. If, in their opinion, no entry is worthy of the prize, no winner shall be chosen. No entrant may win the prize in successive years.
•    The winner will be told in strict confidence during September 2013, at which time the winner must agree to keep this news absolutely confidential until the simultaneous announcement and publication of the winning entry in 2014.
•    Each entrant is required to agree to the above conditions of entry.
•    Breach of any conditions of entry will render an entry invalid.

Query Tracker 2013 - Rejection 2

The next rejection is in! This one took a much more civilised week and a half, which is not quite as soul destroying as an 8-hour turn around. So things are improving!

Another agency that has my query only responds to those that it is interested in, so I'll assume for now that they are also not going to put through a request for the full MS so that I don't have to do a separate update. If it changes, oh my gosh will you know about it.

Nose to the grindstone, and all that. Another flurry of queries go out tomorrow. I'm running out of agencies that I know off the top of my head, so I'll be stepping up the required research.

Query Tracker 2013!

Ladies and gentlemen, I have set something of a record, I'm sure.

I sent off my first query for Crisis Generation of 2013 at 10:45pm on Tuesday, February 5. I received my form rejection letter at 10:10am Wednesday, February 6. Less than twelve hours from 'send' to 'No, thanks :-)'.

Because I always endeavour to be more like Han Solo, I'm going to take his attitude toward this one.

Two more queries have been sent. One I am quite sure I've made a terrible mistake with, so let's settle for one more query has been sent.

I'll keep QueryTracker 2013 updated as the year progresses!

If we get to 2014 with no result, Crisis Generation will become a 0.99c e-book in the Kindle store.

Back to the Query-go-Round

Once upon a time I finished a manuscript, let it rest, revised it, did everything I could to make it as good as can be, and decided it was worth sending out to query.

I'd done my homework (with the exception of how to create a blinder of a query letter - more on that in another post). I had read the advice of PEOPLE, who had BOOKS of their own. I had searched out people who I felt would enjoy my subject/style. I even waited until there was a social media MOVEMENT based around my genre, that being the #YesGayYA hashtag. I knew what to expect - the greatest authors in the world all receive multiple rejections. It WILL NOT make it through on the first try. I was ready. The publishing world was Johnny of the Cobra-Kai Dojo and I was Daniel-san, ready to deliver a crane kick right to its face.

Then something weird happened.

I got a poor-to-mild response from maybe 3 agents and...I stopped. I gave up on sending out the queries I swore to keep barraging the market with. I can't really explain why. I was prepared for exactly this outcome. I had specifically planned for anywhere up to 50 rejections before I considered giving up.

But I stopped anyway. Why?

I wasn't mad or crushed or anything like that. I wasn't convinced that the world was against me and that nobody could see my special snowflake-diamond-flower uniqueness amongst a sea of HACKS. That's called professional jealousy, or not even in my case - I am not a professional, so technically it's just being a 'stonking great git'. I'm nothing if not acutely aware of how un-special and non-prodigious I am.

That's not to say that I had a crisis of confidence, either. It is possible to think yourself a decent writer that people may want to spend some time escaping to outer space with while NOT believing you're Fiction Jesus, here to save literature from its sins. Joke about cruci-fiction here.

It might be fair to say I had the perfectly natural reaction of 'Oh, I might be doing something wrong, I had better press pause on this process and make sure'. There was no reason that pause had to last a year, though. And it did.

I wasn't idle in that time. I set about creating the comic pages that I've been uploading to this blog, which was fun and I hope to continue. I began work on a new novel which I am almost finished and hope to shop around shortly. I learned to draw. I racked up an absolute mountain of creative development and project options.

But I didn't come back to the novel until now. Why?

I've had good feedback from beta readers and Internet strangers who agreed to critique chapters. That helped. I heard stories of people I'd been following on twitter about their success. Also very helpful. I read a couple of great books that inspired me to try and join the authorship ranks. I also read some terrible ones that I was absolutely SURE I could do better than. Each is equally inspiring in its way.

Still, it all just equates to tiny incidents. There's no one unifying and powerful force that got me back to the email account and pressing the 'send' button again.

There might be one little thing I did, though, that made me feel like I was doing the right thing. When you leave a manuscript for a long time, there's a tendency to come back to it and notice all the little errors and mistakes. Authors often talk about how they went back to some of their early works and could read them, such was their cringeworthy-ness. Time puts distance between you and your own work. You lose that thing in your head that says 'this is the way I KNOW everything goes' and it suddenly becomes 'Hey, dude who wrote this a year ago...how did this go, again?' It's a new perspective on your own work.

And when I sat down to read Crisis Generation again - without a red pen to bully me through the pages, just a comfy chair and a cup of coffee - something weird happened. I wasn't embarrassed. I didn't cringe (much). It wasnt perfect, by any means, but the story was better than even I remembered. This was an MS I could feel comfortable putting forward and saying 'I like this, and I think you will, too.'

So, everyone, my point follows. There's an old saying that no elegant plan ever survives contact with the battlefield. This is definitely true of fiction, and of querying agents. No matter how you think it will go, no matter what scenarios you prepare for - you will still be caught off guard.

It's no good me telling you to keep at it no matter what, though you should. I told myself that. It didn't work. It's no good reading about JK Rowling's 20-odd rejections before someone bit, because JK Rowling is less an author than she is a mythical superbeing from another planet with an alien skill for snatching the attention of entire generations.

All you can do is get on the Query Go Round and see where it takes you. Persistence will help. Belief in yourself will help. Not believing in yourself too much will also help.

The only thing that doesn't help at all is not doing it.

Wish me luck. And go and check out the art post if you haven't already! It's got purdy pitchers in it.


**Disclaimer: Written on my phone. Formatting errors and Americanisations may have happened.

Crisis Generation

This is Dominick Costigan. The Protagonist I've spent the last two years with.

Dom's got a problem.

He lives on a 400 year old generation ship named Cataclyst. He is one of the last teenagers left alive in the universe and will be seventy years old before the ship finally reaches its destination, but that's not the problem.

He's butting heads with his mother - and the majority of the crew, at that - because he won't accept the Doctrine of Redress that Humanity must return to the dead Earth to try and save it. Nothing new.

His crush on a fellow crew mate named Geoffrey isn't so bad, even if it'll never go anywhere and is kind of illegal. His decision to confess that crush to his devoutly Redressionist brother, Prince, was probably a mistake. Still, not the end of Humanity.

Accidentally discovering he is one of the ship's CryBabies - the lab-grown children that help keep Cataclyst's genetic diversity, unrelated to the family that raised him - was definitely a surprise blow, but even that will have to wait.

His biggest problem is not that Cataclyst has just been ripped in half by a violent explosion that's trapped the underage crew in the aft section, far from the adult crew and his Captain father in the fore.

It's not the strange, armed vessel looming outside Cataclyst’s windows that caused the explosion in the first place.

The worst of it is not even that the Redressionists believe the ship has come to tow them all the way back to Earth.

No, the worst of it is that the Redressionist crew that Dom grew up with - friends, family, all of them - knew the ship was coming, let the attack happen, and will kill to make sure the Doctrine of Redress is fulfilled.

  

A freshly torn divide between the Redressionist crew and the unbelievers thrusts Dom in charge of hundreds of young lives, pitting him against the boy he'd always called ‘brother’. Determined to get away from their attackers, he must find a way to get the broken generation ship moving again before their chance to reach a new home planet is gone for good. To do that, he will need to rejoin the two halves of Cataclyst, all the while trying to stay one step ahead of his fanatical brother and his dangerous allies.

Redress would kill to drag them backward toward Earth. Dom is ready to die to make sure they keep moving forward.

CRISIS GENERATION: DIVIDE.

Mitch Sullivan

Hopefully, you get to read it one day.

Conclusions

You've got to feel for writers who set out to create an unforgettable series.

You just know that, one day, that series is going to have to end. And you know that the conclusion to that series isn't going to satisfy everyone.

A little while ago I sat down to plot out a trilogy of YA books. It was going great until I began plotting book three and realised that there was absolutely no way I could ever come to a satisfactory conclusion in the space of one book. I made it a Quadrilogy to cater for the extra story, but the darndest thing happened.

I couldn't plot the final book to save my life.

I attempted it several times over a period of weeks. Every time I decided it was too derivative, it was too sappy, the plot didn't work, I couldn't cover enough ground...at the low point I even played with the idea of making it a Pantalogy. Around then, I knew I was just extending the series so I wouldn't have to worry about a satisfying conclusion.

I come to this post now, almost a year since I first had that problem, having just finished the rough outline of a story I'm happy with. It's dark. It's dark as all hell, and I spare no character the sword. But it harks back to the earlier books and ties up thematic loose ends. It uses the more memorable images from way back in chapter two of book one to tie things together. By god, it even made me cry at one point. That's a good sign.

Why did it take a year? I honestly can't answer. All I know is that conclusions are bloody hard to write. I've got no advice to make it easier, other than don't lose hope with them if you're struggling to get one done. They will work themselves out.

A special good luck to George R.R. Martin, though. How the hell he's going to wrap A Song of Ice and Fire up is anyone's guess.

Sovereigns - Scene 3

It's been a while, eh?